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With limited control over technological development or industrial policy, Brazil sees itself in a paradigm of neocolonialism through economics rather than armies.

The first book in an occult-noir detective series by Bill Koch (Kadmus)

Academic art historians have a way of "discovering" artists who they have, themselves, neglected or even casually obscured for decades.

The act of feeling and quietly noticing and acknowledging is something of an act of resistance, of saying yes to living and life.

From Rhyd Wildermuth: The world is a mess and will only get worse. But that world? It isn't our world.

What are we actually for? What is the goal that we are working towards? Is mere survival, or even acceptance within the status quo, enough?